Category Archives: Internet

Put another nickel in the nickelodeon.

Even people who don’t know me know I love movies, even mediocre ones. I’ve had revelatory experiences inside video rental stores, so I have a real affection for these places.

On the rare occasion I find myself inside one, I’ll spend several minutes browsing. But, I couldn’t tell you the last thing I rented.

The last time I visited my video spot, the windows were papered over and there was a maudlin goodbye note from the owners.

The last time I was actually inside a video rental store, a guy in the back was replacing the headphone jack on my old iPhone. They also sold ice cream and performed VCR repair. I wouldn’t be surprised to go back now to learn that they sharpen knives and lawnmower blades. It’s rough out there.

Internet Killed the Video Store?

Video store workers hold vast stores of information about movies, often a particular genre. A clerk once foisted a copy of “Manhunter” on me as I rented “Silence of the Lambs,” and I’m still appreciative.

I like the fact that I can still go into a store to browse through DVDs, but I love digital distribution even more. My life is enriched by instant access to movies on multiple devices. Watching “Empire Strikes Back” on a laptop while I soaked in a bathtub was almost as much fun as it was in the theater 30 years ago. Fine, I’m weird.

I sympathize/empathize with video store employees, but their industry’s gone from essential to quaint for coastal urban elites like myself and also for red-blooded Americans who love Raymond. My parents haven’t been to their local video store since I gifted them with a Netflix subscription years ago. They have better things to do than spend 45 minutes coming and going so they can watch about 240 minutes of home video.

Yes, Internet killed the video store. Just like the movies strangled vaudeville and television put two in radio’s head before dumping it in a shallow grave.  It’s worthwhile to consider their passing, I just don’t see it as something to get mournful about. People used to pay to look at stereograms, too.

To me, the bigger question is: where does the knowledge go after all the video stores become froyo parlors and green pet boutiques? At this stage in human history, anyone who works in a video rental store must be a hardcore movie geek. Careerwise, most will likely wander the Earth like Cain, but if Hollywood can find a way to tap this resource, we’ll all be better off.

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CSCS Judges’ feedback on “By Any Other Name”

The scores for the Top 100 finalists in the Creative Screenwriting Cyberspace Open were posted this morning. Here’s the feedback I received on the scene I had 24 hours to write, “By Any Other Name”:

The Star Chamber lobby poster

Kudos for originality here. A fresh, original take on the scene prompt and a nice use of setting. Well done. The writer did a great job of writing expository dialogue in a way that didn’t FEEL expository, that told us what we needed to know without being too blatant about it. Again, very nice! The only knocks against this scene are that the turn was a little predictable and the Godfather line (can you get me off the hook — for old times sake?) felt derivative where everything else had felt so original, giving the scene a bit of a sour note right at the end. Even so, a very strong scene. Nice job!

As they said on Monty Python, it’s a fair cop. I didn’t think it was necessarily my best work either, but I gave it a good shot considering the time restrictions. The scene received 94 points; here’s the breakdown:

Structure Dialogue Style Originality
22 23 24 25

Congratulations to the contest winners: Ian Murillo, Dries Coomans and Lisa Scott. They’ll have their scenes read by actors and videotaped; the winner will be determined by the number of votes received. I’m definitely interested in seeing these table readings, but I’m much more excited about shooting “Executive Action,” the first scene I submitted to the contest.

Actor auditions are this weekend, but I’m still nailing down a performance space in San Francisco. If you have a quiet room with chairs and a table, please let me know.

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Eliminated from the CSCS Open, but things are good.

I woke up this morning around 2:00 a.m. Pacific and checked the results page for the Creative Screenwriting Cyberspace Open contest and learned that I was not one of the three finalists whose scene will be taped for their fall Expo.

It’s disappointing news, but I’m cheered by the knowledge that I can turn out good work in short order that I can be proud of. I’ve always known I work well on tight deadlines, and now I can prove it.

As the scores indicate, I needed at least 94.43 to be a finalist, but my average score for Round 2 was 93.86, or 5th out of 12. Not bad.

It probably sounds like sour grapes to complain about the contest’s administration, but they did miss two deadlines and seemed to change the rules of the game after it was underway. Initially, Round 2 finalists were to be notified on May 28, but I didn’t hear a word until May 31.

According to the contest administrator I spoke to, they’d selected the top 3 finalists by the deadline based on their scores; after that process was completed, they voted on which scenes they felt were the best out of the top-scoring scenes. I don’t believe that was the process that was described when I entered, but they’re free to change their guidelines at will. I’ve managed many online contests, and I’m sure the team at Coverage Ink was doing their level best.

Planning proceeds regarding our July shoot for “Executive Action.” I placed an ad on Craigslist seeking actors and several local performers with excellent credits and clips responded. Next steps: auditions, two read-throughs and the actual shooting. Between now and then, Roland and I will pin down the remaining production details — if anyone has a well-appointed bedroom we can borrow for a couple of hours to shoot the end of our scene, please let me know.

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